June 10, 2020 posted by

They spot the worker with the flag. Films directed by Sergei Eisenstein. Vladimir Popov as Aleksandr Kerensky. A proletarian director would not care enough to sustain such anger. October Ten Days that Shook the World But with Act III, the tension evaporates. No single observer or participant understood the Russian Revolution better than Leon Trotsky. The bourgeois, on their bank, laugh and clap as the workers flee.

It is a celebratory dramatization of the October Revolution commissioned for the tenth anniversary of the event. The 24th is too soon for insurrection. When a man who resembles Lenin reinforces the resemblance with poses and gestures, one senses in all these superficialities a complete emptiness, a total absence of thought, and it’s disgusting to watch it. Jan 1, Full Review…. They spot the worker with the flag. Ivan the Terrible, Part I

Student cadets, with well fed, chubby faces, arrive to defend it—they are like sleek piglets. It is a celebratory dramatization of the October Revolution commissioned for the tenth anniversary of the event. In the montage fusion, the soldier becomes his machine, he is reified into a brutal, dehumanized object.

Eisenstein choreographs the movements of the Wild Division from right sergwi left. The opulence of the Church and the absurdity of the Metropolitan of Novgorod is juxtaposed to a poor peasant woman, praying: AllMovie relies heavily on JavaScript.

Back and forth the fight continues.

Then Konavalov, the Minister of Trade and Industry—his symbol is a very ornate telephone—orders the Neva drawbridges raised, separating the bourgeois and working class sections.

Use the HTML below. A huge tank rears up, consuming the screen. Eisenstein just keeps impressing me.

The arsenal is opened and arms are distributed to the people: I think that Sergei Eisenstein, who has rightfully been credited as one of the grandfathers of modern cinema, is sometimes forgotten as someone who can sergeo direct great epic scenes along with making them expertly edited.

Sergei Eisenstein Grigori Aleksandrov.

October (Ten Days that Shook the World) () – IMDb

Cutting from the map to the action gives the film an organic quality rare in silent movies. This is the French S.

Woodrow Wilson was wrong – this is what writing history with lightning looks like. The Cruiser Aurora rests at anchor in the winter dawn: There is nothing mystical or sacred about the throne. What we see of Act III is perfunctory and unsatisfactory.


October: Ten Days That Shook the World – Wikipedia

Thus aesthetic criticism of Eisenstein continues. October is an intuition of what Pushkin called the merciless senselessness of the Eiaensteinthe 18th-century peasant revolt from which the ruling classes learned secretly to fear and hate the lower orders. Silent film Russian original intertitles. The events gave him the perfect pretext for explosive unruliness on a grand scale. It has a stranger-than-fiction reality.

A series of small operations, calculated and prepared in advance, remain separated one from another both in space and time. A History of the Russian and Soviet Film. Close-up shot of his foot on the wheel the Bolshevik wheel of history is about to roll.

By using this site, you agree to the Terms of Use and Privacy Policy. The film simultaneously becomes both a story about History and an integral part of it, in the sense that its editing, its storyboard, its aesthetics are all a pure product of the revolutionary system, both in the sense of putting the revolution on display and in the exalted manner of that display. The director relentlessly shoots down into the fleeing crowd to produce the sense of the distant and brutal bourgeois government always aloof from the masses below.

Likewise a University student took on the role of Kerensky. The seemingly spontaneous uprising demands that, the Provisional Government resign. EisensteinGrigori Aleksandrov. Immediately, the oppressed Russian masses challenge the Tsarist thesis. Film School Drop Outs Challenge – Week 5 – Movement – Russian Montage I have read all about how Sergei Eisenstein is supposed to be one of the great theorists and directors of the silent film era but I had never actually seen one of his films before.

Keep track of everything you watch; tell your friends. Within the Bonapartist Invasion resides its own destruction—Napoleonic overreaching. So authentic is Eisenstein’s reconstruction of events that, for years, TV documentaries have been passing off clips from Ten Days That Shook the World as “actual” scenes of the Revolution. Kerensky is moving closer to the establishment church and the old order. Anyone seriously interested in film and the birth of modern cinema should see this.


The signal is given by a shot from the Aurora and the assault begins in earnest.

When the car starts with a jerk, Kerensky falls down into his seat and is whisked off the stage of history. Cut to the red guards advancing; they encounter no Government resistance. It darts about Russia, rushes through time, skips whole pages of history to fasten its frenzied eye in turn on Here it’s the story of the Bolshevik revolution in Russia, where Lenin took control of the reigns of the provisional government with left the country at a stand-still in poverty.

Inside the Wildest Political Show on Earth. She, however, looks more pained than angered by this adamant Bolshevik! CS1 Russian-language sources ru Articles needing additional references from December All articles needing additional references Articles containing Russian-language text Articles to be expanded from December All articles to be expanded Articles using small message boxes All articles with unsourced statements Articles with unsourced statements from August Articles with Internet Archive links Articles containing video clips.

Although cumbersome at times, this positivist approach supplies the facts of the film, facts upon which any understanding and comment should be—but have not been—based.

October (Ten Days that Shook the World)

Boots and feet are a central metaphor and we ssrgei to contrast these shiny ones with the battered boots of the captured soldiers, and later, the ragged, urgent feet of the Bolsheviks at their Smolny headquarters. The army and the peasant masses are ready to join the revolution.

At the Winter Palace, everything is ready for attack.