KNUT HICKETHIER SERIE
Film and the Holocaust, New York: The present day Following Schindlers List only one ambitious feature film has succeeded in creating a convincing Warsaw ghetto drama: The integrative aim of this book entails that the concepts used do not fully conform with particular other discourses and theories. His Deterritorializing the New German Cinema appeared in , and he has published numerous articles on German film as well as political discourses and literary figures in cinema more generally. These are all good reasons for devoting more attention to characters in the analysis and to establish a proper research field of character-theory and character-analysis. WorldCat is the world’s largest library catalog, helping you find library materials online. Table of contents III. It is designed to help with the more accurate perception of characters, the recognition of character- related textual strategies, and the understanding of the involvement of viewers.
Click here to sign up. Summary and example Readers may also, if they so wish, start with the summary contained in the last chapter and then read those sections which are of the greatest interest. Ethnicity, religion, gender or class are among the most conflict-laden and most widely discussed aspects of characters. Supplying answers to such questions is, at the same time, an essential task of the theory of characters. From a structural point of view the question of primacy does not make any sense:
The cognitive theories have not yet developed a differentiated set of instruments that would be suitable to capture the sphere of social structures of affect, of desire, and of daydreams.
Friedrich Knilli, Reiner Matzker Hrsg. But only a consistent theoretical basis can guarantee that the characteristic peculiarities of each individual character are reliably apprehended, precisely described and compared with other characters. Parallel to the change in the televisual handling of this sensitive topic it is also possible to trace a general change in attitude towards the subject: Informed by cultural studies, gender studies, and the study of popular cinema, this anthology offers a more complete account by focusing on popular genres, famous stars, and dominant practices, by taking into account the complicated relationships between East vs.
These images — although historically correct — seem cynical, artificial, metaphoric. Their most important results will be condensed in the form of diagrams in order to facilitate finding them again, and they will also be repeated in reduced form at the beginning of the chapters dealing with practical analysis.
The cognitive models of the human psyche differ from psychoanalysis especially by their more detailed representation of mental processes and a stronger association with empirical psychology. As will become clear, this analysis cannot be restricted to the different kinds of characters themselves but will naturally include all the relevant character-related aspects of both fictional texts and processes of reception and communication. The influence of such diverse sources distinguishes character models from our impressions of real beings.
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The cultural significance of characters can hicketiher be overestimated. They insist emphatically on the difference between characters and human beings and concentrate on questions of the definition and constitution of characters, thereby making the role of the text their central object of attention. Four films of the nineties dealt wit the Holocaust thematic in a comical way: Obviously, a film about crime may be started off by showing an act of murder without identifiable perpetrator and victim: Der Umgang mit dem Massenmord.
A plot-oriented position in the aesthetics of production is, moreover, expressed by the principle of dramaturgical necessity, which is still advocated by many contemporary scriptwriting manuals.
The editors plan each volume independently of the others, being governed only by general formal principles. Ryan ; for a survey see Surkamp and approaches within the neurosciences and empirical communication studies e. Further criteria consist in hlckethier place characters hold in the larger constellation of characters, in the theme of the film, and in the deviations of the film from standards relating to reality hickethiier the medium itself.
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In part III the character is, first of all, treated as a fictitious being: What is the significance of the appearance of clones in contemporary huckethier For the study of literature, KochNieragdenSchneiderand Jannidis may be mentioned.
Constructing typologies has been one hickethiier the central activities of the investigation of characters so far; as already pointed out in the preceding considerations of the different levels and problem complexes, these activities are also all too often deficient with regard to their required appropriate underpinnings.
Hamburg Media School
Description European Television History brings together television historians and media scholars to chart the development of television in Europe kmut its inception. How do characters affect culture and society? And each one of these four aspects can most strongly knu the attention of viewers to itself and thus become especially relevant to the analysis.
Taking a comparative approach to the topic, the volume is organized around a set of common questions, themes, and methodological reflections Deals with European television in the context of television historiography and transnational traditions Case study chapters written by scholars from different European countries to reflect their specific areas of expertise.
Film- und Fernsehanalyse (Sammlung Metzler Bd. 277)
Should characters, therefore, be preferably examined within the broader context of action or do they merit an independent investigation?
Although all the different themes of the spectrum unfolded above are intimately connected with each other with regard to content, there has so far been no attempt to deal with them all in their systematic interconnections.
Reviews User-contributed reviews Add a review and share your thoughts with other readers. The demise of the New German Cinema and the return of popular cinema since the s have led to a renewed interest seri the postwar years and the complicated relationship between East and West German cinema in particular. Share your thoughts with other customers.
Drawing on research from film and literary studies, narratology, philosophy, psychology, and sociology, hicketyier book offers conceptual tools for analysing each of these four aspects in detail and for understanding our perceptual, cognitive and affective reactions to characters.
Despite all the productive hermeneutical contributions, theory as well as analysis have so far done less than justice to the real importance of the character.
This ontological question is of fundamental consequence for the methodological problem of character-analysis: